Art Adventures

Posts tagged ‘Lawn chairs paintings’

It’s my Facebook Thirty-Dollar Thursday offer!!  Red Chair, the final of the four lawn chair series is up for grabs today.

Red Chair 8x8 on Gessoed Watercolor paper

Red Chair, 8×8 on Gessoed Watercolor paper

Just thirty bucks for the painting (not including shipping).  It’s an 8×8 watercolor painting on gessoed watercolor paper, matted to 12×12 frame size for ease in popping into a pre-made 12″x12″ frame. This painting would normally sell for around $75-$100 dollars each.  No plexi or glass required with framing, as the painting has been finished with a Lustre varnish.  This is the last of the chair paintings for now…all three have sold quickly.  Next week, I’m on to something else!!  Tune into that later!  If you would like to see how I paint a chair like this, check out my post on The Turquoise Chair and a Mashed Potato Day. Last week’s chair sold quickly, see Orange Chair post.

Message me or find me on Facebook and let me know if you want it.  First come, first serve.

Now, on to more paintings this weekend.  I’m planning on a brand-new something cool.  Look for it on Sunday’s post!  Feed the Beast, people!


Getting ready for my Facebook Thirty-Dollar Thursday offering this week:


Spraying four chair paintings with fixative

I am offer a painting through my facebook page, every Thursday for thirty dollars.  These paintings would retail for $75-$100 each.  They are all on gessoed watercolor paper, all originals, and all 8×8 paintings, matted to fit a 12×12 frame.  I will soon be setting up a PayPal account to accept online payments/shipping, etc.  Most of my large plexiglass work will be retailing anywhere from $750 to $4,000 per piece, framed, so this is quite a deal for y’all.  Why am I offering a painting so cheap every Thursday?  Marketing!  I’m working on getting my name “Out There”, whatever that means!  Plus, honestly?  It is so fun!  It really is.  I LOVE to paint, I LOVE to sell it, and my paintings are happy.  I hope to put joy in people’s lives with my paintings.


Orange Chair. 8×8 Watercolor on gessoed watercolor paper


If you want to see how these chairs are created, see Turquoise Chair and a Mashed Potato Day.

So please be sure to follow me on Facebook, comment, Like, or whatever, if you like the paintings.  Enjoy and Happy Thursday!


Gatherings…I can picture folks in these colorful lawn chairs.  Visiting, having a glass of wine, and looking out to their kids playing in the yard in Hood River.

I’ve had this photo in my mind for 2 weeks or so, thinking about what I want to say with it. There is nostalgia, there is friendship, there is leisure.  Of course, I’m drawn to repetition and color!  Here we go!

Photo and value study of composition

Photo and value study of composition

This  time, I had the forewithall to do a value study first.  Here, you can see my planning with a simple sketch.  Photo reference is at the bottom.  I try to select large, connecting shapes of the same value so that there are not so many bits and pieces flying around. Next, to study the composition and layout:


Composition study/sketch

I usually divide my paintings into thirds and pick one of the areas the lines intersect as the focal point.  Here, you can see my circle in the lower LH third where I selected the blue chair for the focal point.  After some thought, I change it to the front (RH) lower third because of the ease of all the shapes converging in this area.  This is where I plan to have all my darkest darks and lightest lights.

I prep my canvas with texture in the areas where I want to draw the eye.  I’m texturing using Cheap Joes Gesso, while it’s still wet:


Texturing the canvas by drawing a grid tool through wet gesso

In the lower area of the photo above, I have placed wet squares of tracing paper, further enhancing texture.  Gesso was painted directly over top to adhere the tracing paper to the surface of the plexiglass.  After it dried, I drew the composition onto my prepared plexiglass:

Drawn out composition

Composition drawn out on prepared plexi

To allow me to paint all the chairs, the background, and the foreground, without worrying about saving the whites, I painted liquid mask (or frisket) to all the arm chairs.  To enhance the idea of repetition of pattern and line, the arms provide an integral part of the design.  I’ll return later into the whites to add detail.

Painting near white chair

The focal point is near my brush(above photo). To draw the eye,  I’ll keep the chair white, placing complementary colors red and green/blue next to the white chair.  The darkest darks of the painting will be behind the chair, to make it POP.   This is also where I’ll add the most detail to the painting.

You can see the texture of the gesso impressions after painting.  Pretty cool, huh?


Detail of texture around the wisteria plant on the shed

Here is a detail of the texture of the underlying tracing paper adhered to the plexiglass in this photo. Ooooo…I love this stuff!


Texture detail of background trees, grass, and foreground chair

You can see how easy it is to paint the chairs and background without worrying saving the whites of the chair arms.

Removing the Frisket:

(Okay, okay…this is hilarious.  I decided, per suggestion of a very nice fellow blogger, to upload some videos to my blog, using YouTube.  I’ve never done this before.  It was pretty easy, but I thought I had removed the background music.  Didn’t.  And it is loud, so you can’t hear what I’m saying!)  Also, I was soon made aware that the video needs to be in landscape mode, not portrait.  Good grief.  What a goof I am.  Removing frisket video here. I promise to improve…REALLY!

Removing liquid mask from the surface of the painting

Removing liquid mask from the surface of the painting

I spent about an hour or so going over each and every removed-frisket area to soften and enhance the arm chair lines.  It took a while, but was worth the work.  The chairs look finished and have shadows and detail.

Gatherings almost done

Gatherings…almost done

You might be able to see how much softer the lines are in the chairs.

Check out this texture from tracing paper beneath the paint:


And on the shed behind the chairs:


I had to rework the wisteria area.  Difficult to explain what you want the viewer to see without explaining it all.  I’m still not certain I’ll stay out of the wisteria bush.  Feels weird to me, but I’m not sure what is wrong with it.

Gatherings. 21x30 watercolor on plexiglass

Gatherings. Watercolor on plexiglass, 21×30

So, video snafu aside, I’m overall pretty pleased with the outcome of the painting.  I usually paint close-up, zoom-in-on-detail-type-paintings, but this was a fun departure. I love the chairs.  I’m off to Portland next week, to check out the Saturday Markets and other fun stuff they have.  Looking forward to some new material to paint to inspire you all!!

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